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Photo restoration |
Quick-Fix Basic Moderate Major Severe Distortion & Manipulation Flip Albums Cartoons & Painting Pricing
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severe |
| Occasionally we come across a job that is extremely labor intensive. Since we want the best possible results, we might take a little longer on some projects. Our prices are still competitive, in fact much lower than some we've seen. The photographs here are restored, or at the very least partially restored, to give an indication of the type of work I refer to. For instance, the damage on the yard photo from 1968, was originally as bad as the damage on the fraternity photo just below it. To avoid spending many hours on the project, the photo was cropped and the remainder digitally cleaned. These photos can take anywhere between three and twenty-five hours to restore, depending on the end use. |
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Ewing women, faded, late 1800s |
Snapshot, water & mold damage, 1968 |
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Rochester, NY |
Gaslight Village, Lake George, NY |
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Snapshot, water & mold damage with fine white lines throughout, 1969 |
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Student at Monmouth College, now Monmouth University, Long Branch, NJ |
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The old Gaslight Village amusement park, Lake George NY, 1968 |
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Mold damaged photo after cleaning, center shows background before cleaning, & fully restored photo |
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Portrait, heavy water, mold & grime damage, with cracks & bending, peeling, bubbling and strong discoloration. This particular job was a challenge since we were asked to stay within set budget parameters. As the finished photo shows, we were still able to bring vibrancy back to this picture. Paper on board, 5" x 7", year unknown. |
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Snapshot, mold damage, TKE, c. 1968 |
Easter, Levittown PA, 1955 - mold and grime covered |
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Tau Kappa Epsilon Fraternity brother |
35 mm Slide showing hand-cleaning |
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Severely yellowed and faded snapshot, circa 1952. |
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The surface was finely cracked and the dyes had begun separating |
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This photo was restored with a very early version of Adobe editing software; even photo labs refused it |
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Another discolored, faded snapshot, circa 1960s |
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Original 1.5"x2.5" torn snapshot enlarged, color enhanced, slightly straightened and rebuilt |
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Two New Orleans cabinet cards damaged by the flood waters caused by hurricane Katrina |
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Another New Orleans cabinet card, with embedded grime and mold |
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Two color photographs, both damaged with cracks, tears, discoloration, fading/darkening |
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Roy Baillie original and restorations |
pillar detail |
Face and baluster damage detail |
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Photograph of Roy Baillie taken 24 December, Christmas Eve, 1896 |
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Glass Photographic Plate, James Glancey, early 20th century |
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New construction in Roebling, NJ, for Steelworker's Homes |
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Glass Photographic Plate, James Glancey, early 20th century |
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A Bordentown, NJ family. Courtesy F. J. Glancey |
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Glass Plate, James Glancey, early 20th century, Mrs. Glancey at Niagara Falls |
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Glass Photographic Plate, James Glancey, Roebling NJ construction, early 20th century |
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Glass Plate, early 20th century, self-portrait James Glancey with friends |
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Glass Photographic Plate, James Glancey, early 20th century, St. Mary's Basketball Champs |
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Bordentown City, New Jersey |
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HATS! Three Edwardian Ladies and a young girl |
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Glass Photographic Plate, James Glancey Studio, early 20th century |
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Glass Plate, James Glancey, Bordentown NJ RR Trestle over Crosswicks Creek. An example of a broken and |
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heavily damaged plate with repairs and variations shown below. |
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Glass Plate, James Glancey, early 20th century, child in lacy nightgown |
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Glass Plate, James Glancey, blurring caused by movement; arm, mouth rebuilt |
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William Wallace Ewing, Ladies' Man, The Gay Nineties |
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In some of our images the extent of damage isn't evident at this size and resolution. For example, in the June 1964 photo, it's almost impossible to tell that the entire surface of the Polaroid was covered in fine white paint speckles that were necessary to remove digitally by hand. The Easter 1954 slide had the same problem, but it was years of grime rather than paint that speckled the surface of the picture. The 1968 images suffered water and mold damage after a fire in an apartment on the floor above, and the color had faded and yellowed as old color snapshots often do. We did full restorations in order to preserve the quality of each individual's features, never evident even when the photos were new. Quick fixes are "okay" and if that's all you want done, that's fine. For us, the photo loses far too much detail and sharpness in features and other areas with this type of repair. As always, budget limitations are taken into consideration. |
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